沙龙先生主要作品 & 音乐会录音评论 

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世界主流媒体对沙龙先生的音乐会及录音作品评论

纽约时报(New York Times)

“沙龙的作品,远比天使所能给予的多彩。它也让我们坚信柯西琳的梦想值得更多关注。……娴熟的脚踏使乐章流畅自如;从头至尾,沙龙的演奏显而易见地清晰自然。事实上,这部努恩萨策作品得以精心录制与演奏。”

"Sharon's recording, which is far more varied in its repertory than the Angel offering is most convincing in arguing that Koechlin's dreams are worth paying more attention too. ... Pedalling which allows the phrases to become fluid and fluent; and throughout, a clarity and ease that is evident in Mr. Sharon's playing. In fact, this Nonesuch recording is beautifully recorded and played."


华盛顿邮报 (The Washington Post)

“沙龙是一位拥有超强技巧和敏锐风格感的钢琴家。他的演奏足以使柯西琳作为作曲家再现。“

"Sharon is a pianist of superb technique and keen stylistic sense. In his performances, Koechlin emerges convincingly as a composer worth more attention."


观察家 (Spectator/ US) 

“这个CD所包含的是带给人美好享受的最新乐章。这些超级享受由葆兹·沙龙  变成现实。”

"This CD's title is the latest of the delightful scores performed here. All are superbly realized by Boaz Sharon."


新闻周刊 (Newsweek)

柯西琳的作品(努恩萨策/亚瑟琳埃尔卡特拉)被选为当年11个最好的作品之一。 

The Koechlin recording (Nonesuch/Asylum Elektra) was chosen as one of the best 11 recordings for that year.


每日新闻(Daily News / New York)

“以色列钢琴家葆兹·沙龙 演奏了 “巴西之恨” 全曲,米尤作品《让·雷诺》,1993年改编于“ 葆沃莱女士”,中的一份大餐 和其它精选的组曲和独奏曲。米尤的钢琴曲辛辣,夺人般执白,充满高卢魅力。沙龙的 演奏透彻,富有感染力。”

"Israeli pianist Boaz Sharon plays the complete "Saudades do Brazil", a generous helping of selection from Milhaud's score of Jean Renoir's 1993 adaptation of " Madame Bovary" and a well chosen assortment of other suites and solo pieces. Milhaud's piano music is spicy, disarmingly unprofound and full of Gallic charm, and Sharon performs it with understanding affection."


美国录音指南 (American Record Guide)

“钢琴家葆兹·沙龙,柯西琳钢琴曲的杰出演奏者,通过精心录制,带来精彩的新体验,通过完美的理解,补充了勒布兰柯小姐的所有诠释。”

"Pianist Boaz Sharon, a distinguished interpreter of Koechlin's piano music with fine recordings to his credit, brings out wonderful nuances, complementing Miss Leblanc's every interpretive idea with perfect understanding."


美国栎兹协会会刊 (Journal of the American Liszt Society / US)

“沙龙对他的音乐有魔力般感觉。他从不尝试追究太多表面以下的东西,因为在那个层面没有许多值得探讨的东西。让我们欢迎以色列钢琴家葆兹·沙龙的第一部独奏专辑。他的诗一般的想象力,敏锐的分层,细腻,广博,鲜明的色彩,精细的洞察每一个音符使人们渴望再次听到他的演奏。”

"Sharon has a magical touch with this music. He never tries to probe below the surface too much, for there is not a lot to explore at that level. Let me welcome this first solo record by the Israeli pianist Boaz Sharon whose poetic imagination, sensitive phrasing, wide dynamic range of refined colour and meticulous observation of every indication of touch and dynamics makes one eager to hear him again."


美国录音指南 (American Record Guide)

“沙龙扑捉了 “巴西之恨”中12支探戈曲的复杂旋律及李斯· 查姆斯 ·德拉维更加复杂宽广的音域······ 他们的简洁是表面的,要达到他们的轻松与明晰,需要相当的技巧。······这个专辑与彼利埃蒂斯的CD一样吸引人,沙龙是一个更好的表述者。俩个专辑都是瑰宝,但是如果你想欣赏米尤的最具魅力的钢琴曲,这是一个较好的选择。”

"(Sharon) captures the complex rhythms of the 12 tangos of Saudades do Brazil and the more complex polytonal voices of Les Charmes de la Vie... Their simplicity is deceptive and it takes considerable skill to achieve the lightness and clarity they require. ..This selection is just as interesting (as Billi Eidi's CD) and Sharon is a better interpreter. Both are valuable, but if what you want is a sampling of Milhaud's most charming piano music, this is the better choice."


音乐美国 (Musical America / US)

“取而代之的是,他让音乐自己说话,这是所能达到的最高境界。钢琴家通过拥有音乐所需要的灵活敏捷手指和自如的风格使音乐复活。这种结合永远让音乐闪烁,歌唱和舞蹈。这首充满吸引力,夺人,阳光般明媚的音乐是沙龙和尤尼康对本行业和米尤的重大贡献。极力推荐。”

 "Instead, he lets the music speak for itself, which is the best thing possible. The pianist makes the music come alive by having what the music requires: nimble fingers and a facile style. This combination lets the music sparkle, sing, and dance, which it constantly does. Sharon and Unicorn have done the profession and Milhaud a real service with this attractive, effective, sunny music. Highly recommended."


数码有声 (Digital Audio / US)

“对于这些作品,葆兹·沙龙 的钢琴演奏是人们想要的一切,清晰的表达,对潜伏在音乐背后的成熟美的真实感受。”

"Boaz Sharon's piano is everything one could want for these pieces, with clear articulation and a true feel for the overripe decadence that lurks behind the music."


高保真 (Hi Fidelity / US)

“葆兹·沙龙,一位柯西琳专家,弹奏的游刃有余,虽然有些部分拥有极高的难

度。”

"Boaz Sharon, a Koechlin specialist, handles the piano parts, some of them exceptionally difficult, with easy expertise."


喇叭 (Fanfare / US)

“达理尤斯·米尤的钢琴曲被选为1995年最受欢迎的CD之一。”

"Piano Music by Darius Milhaud CD selected as one of the "Want List" CD's for 1995"


喇叭 (Fanfare / US)

“现在,以色列钢琴家葆兹·沙龙给我们提供了又一个米尤的超级享受。这是一件保藏,带给公众的是伟大但被忽略的作品,通过极强的乐感和智慧弹奏出来。……

带给我们这样超级的米尤钢琴曲,特别是非同寻常的选曲,葆兹·沙龙和尤尼康-坎察纳创造了珍品。我将珍惜并极力推荐它。

"Now there is a second superb (Milhaud) offering, by the Israeli pianist Boaz Sharon. This, then, is something very rare, a recording that brings before the public some great and neglected music in performances of tremendous musicality and intelligence... In giving us this superb recording of Milhaud piano music, and particularly the more unusual selections, Boaz Sharon and Unicorn-Kanchana have produces something very valuable. I will treasure it and give it my highest recommendation..."


克利夫兰朴素人  (Cleveland Plain Dealer / US)

“通过完美的把握高难度动作象合奏和踏板,沙龙证明了自己是杰出的杜彼賽钢琴家。在印象派色彩和稳定的轮廓之间,达到了辉煌的平衡。他成功地演奏了"Damoiselle elue"...。现在又录制了美妙的杜彼賽。”

"Sharon reveals himself as an excellent Debussy pianist, with a sure command of such tricky matters as choir-balance and pedalling. He achieves a splendid balance between impressionist coloration and a firmness of outline. He does a beautiful job with the "Damoiselle elue"... Now comes this excellent Debussy recording."


凯尼  (Kenny G. / WMFU, NJ / US)

“美妙的萨提钢琴曲,由我最喜欢的钢琴家之一,葆兹·沙龙演奏。” 

"Wonderful Satie-esqe piano melodies, played by Boaz Sharon, one of my favorite pianists."


英国广播公司杂志  (BBC Magazine / London)

“葆兹·沙龙的演奏敏感而有说服力。……充满了二十世纪爵士乐的影响,拉丁美洲的旋律,多键同时弹奏的多彩和谐和整体的法国辛辣讽刺感,这里所代表的音乐值得探索。”

"Boaz Sharon gives sensitive and persuasive performances... Full of Twenties jazz influence, Latin American rhythms, harmonies playing colourfully with polytonality and overall an acerbically French sense of irony, the music represented here is worth exploring."


CD 评论 (CD Review /London)

“葆兹·沙龙的演奏总是大师级并闪烁着智慧的光芒。……高品味的真正享受。”

"Consistently virtuosic and scintillating projection from Boaz Sharon. ...A real treat for the sweet tooth."

欧洲钢琴教师协会杂志  (European Piano Teachers Association Journal / London)

“葆兹·沙龙使36件作品包括一套李斯· 查姆斯 ·德拉维的作品成为诗和大师级作品。”

"Boaz Sharon brings poetry and virtuosity to 36 pieces including the set Les Charmes de la Vie."


留声机  (Gramophone / London

“沙龙,从师于斯戴芬·阿斯柯内斯和理纳德·舒尔,是一位既善于通过弹奏又善于通过这部作品所需要的复杂的踏板处理来培育他的音调色彩丰富性的音乐艺术家。”

"Sharon, who studied with Stefan Askenase and Leonard Shure, is a musicianly artist who has cultivated a wealth of subtle colors in his tone, both through his touch and in the intricacies of pedaling required for this music"


古典音乐CD  (Classic CD / UK)

“葆兹·沙龙是人们所期望的钢琴家,有品味,渊博。通过自然流畅的弹奏,他能为每一个音符添上色彩。低音和弦缠绵悠扬。铐帕卡巴拿,《巴西作曲家》的第四乐章则在轻柔节段所创造的眩晕中闪烁。沙龙的踏板完美无瑕……而且录制的近乎想象的完美…… 如果你喜欢米尤,你将热爱这张碟。从头至尾的享受。”(五星级的演奏和录制。) 

"Boaz Sharon is as tasteful and resourceful pianist as one could hope for. With velvety touch he finds complimentary colours for each voice within the textures. Phrases sing over bass chords which purr drowsily. Copacabana, the fourth of the Brazilian Sketches shimmers in a heat-haze of gentle dissonance. Sharon's pedalling here is immaculate...

 Furthermore, the recording is as near perfection as one could imagine...If you like Milhaud, you'll love this disc. A delight from start to finish." (Five stars given for performance and recording.)


歌提特  (Gitit / Israel)

“沙龙的演奏有内在力量的特别感和对风格的特别追求---一个典型的法国派。沙龙拥有少有的天赋,成功追求法国审美观中理想主义美和精细的能力。”

"Sharon's playing has an extraordinary sense of inner strength and a special affinity to style--one of a true Francophile. Sharon has the rare ability to successfully struggle with the French aesthetics with its ideal of beauty and refinement."


音乐世界  (Le monde de la musique / France)

“在看似平静的下面,钢琴家和歌唱家的技术难度同样巨大。葆兹·沙龙的演奏取得了巨大的成功。”(录制安德鲁·卡珀雷艺术主曲。)

"Under a seeming serenity, the technical difficulties for singer and pianist alike are numerous. Extremely well accompanied by Boaz Sharon." (Recording of Andre Caplet art melodies.)


留声机  (Gramophone / London

“在杜彼賽全曲中,沙龙远比诺埃·李敏感———设法扑捉它那纯洁的情感(特别是以轻松的心情在创造却没有自傲;他奉献给我们如此愉快的乐章以至于我们忘记了键盘是表达杜彼賽思想的唯一方式。余下的部分同样令人难忘。……他那优雅缠绵的序曲(几乎和斯多柯维斯基/伦敦交响乐团记录显示其杰出演奏的一样缓慢……总而言之,令人难忘的独奏,再加上阿德林·克理昂尼斯对其柯西林的评论使我急于听到沙龙的全部作品。”

"Sharon-far more sensitive than Noel Lee on his set of complete (Debussy) music-manages to capture its innocent intimacy (especially in its light hearted parody without condescension; and he gives us so joyously eventful a reading that we are rarely reminded that we have only a keyboard approximation of Debussy's ideas. The rest of the disc is impressive as well. ...His gracious, lingering Prelude (nearly as slow as the Stokowski/LSO account demonstrates a remarkable touch... On the whole, though, an impressive recital, that, combined with Adrian Corleonis'rave over his Koechlin makes me anxious to hear Sharon in more substantial repertoire."


高保真和录音评论 (Hi Fi and Record Review / UK)

“我发现自己完全沉浸在演出中。这要归因于葆兹·沙龙充沛的音调和流畅的乐章。”

" I found myself completely drawn into the performances-which owe a lot to Boaz Sharon's equally lush piano tone and match phrase shaping."


留声机  (Gramophone / London

达理尤斯·米尤的钢琴曲被选为1995年最佳CD录制之一。

Piano Music by Darius Milhaud CD selected as one of "1995 Good CD Recordings


留声机  (Gramophone / London

“巨人,同时目标远大,并能达到目标,带着尊敬和感激,人们一遍又一遍地聆听他的作品……沙龙教授拥有数字速度,天赋,和艺术水准将柯西林成熟作品中贯穿的含糊生成具有说服力的形态……从精选的曲目到辛辣的艺术,这是一部经典。还需要我说吗?地标,古典,必不可少。”

 "Hyperion, on the other hand, aimed high and so unequivocally hit its mark that one returns to this album again and again with admiration and gratitude... Professor Sharon possesses, as well, the digital fleetness, flair, and high artistry to b ring persuasive shape to the hovering ambiguity of Koechlin's mature works... From the carefully chosen program to the piquant art, this is a model presentation. Also-need I say? landmark, classic and indispensable."


留声机  (Gramophone / London

“以色列钢琴家葆兹·沙龙的独奏只在卡特·易斯上和彼利·爱迪从叠……这是这些独到乐曲的又一次演出……对音乐优美的挖掘和演奏的高品质避免了单调。米尤迷们不必急于探究这一对全集的有价值添加。”

"It is only in the Quatre esquisses that the Israeli pianist Boaz Sharon's recital overlaps with the enjoyable one by Billi Eidi... Here is another sympathetic performance of these quirkily melodious pieces... Such is the elegant inventiveness of the music and the quality of the playing that that (monotony) is avoided. Milhaud enthusiasts will need no urging to investigate this useful addition to the discography."






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